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SDG

Rast, die Winterreise, Schubert. Sung by Gertim (SDG).

SDG

2:58	Est. Play Time
67	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Pianoforte	24	27	7	3	100%
	14	23	3	4	100%
Singstimme Voice	15	0	3	4	76%

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Pianoforte	24	27	7	3	100%
	14	23	3	4	100%
Singstimme Voice	15	0	3	4	76%

3. Gefrorne Tränen, die Winterreise, Schubert

SDG

2:14	Est. Play Time
56	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	24	46	7	3	97%
	28	12	11	4	100%
Voice, Vocal	17	0	5	5	73%

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	24	46	7	3	97%
	28	12	11	4	100%
Voice, Vocal	17	0	5	5	73%

Silent Night. Tikhaya Noch. Тихая ночь. Franz Gruber. Russian like version with Basso Profundo. Arrangement: Gertim (SDG)

SDG

1:25	Est. Play Time
12	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto	13	0	0	6	100%
Tenor	10	0	0	6	100%
View all 4 Parts

	Unique Notes	Rhythmic Complexity	Percent Played
Soprano/Alto	13	6	100%
Tenor	10	6	100%
Tenor/Bass	11	6	100%
Bass	3	6	50%

2. Die Wetterfahne, die Winterreise, Schubert.

SDG

2:09	Est. Play Time
52	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	29	14	11	6	81%
	27	35	9	5	99%
Voice, Vocal	15	0	6	5	80%

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	29	14	11	6	81%
	27	35	9	5	99%
Voice, Vocal	15	0	6	5	80%

6. Wasserflut, die Winterreise, Schubert. Piano accompaniment.

SDG

3:57	Est. Play Time
32	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	15	25	3	8	100%
	15	21	4	5	100%
Voice	15	0	3	8	67%

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	15	25	3	8	100%
	15	21	4	5	100%
Voice	15	0	3	8	67%

36. Christ ist erstanden. BWV 276. J.S. Bach, Klug.

SDG

1:59	Est. Play Time
31	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto	17	0	5	7	100%
Tenor/Bass	26	0	8	7	100%
View all 4 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto	17	5	7	100%
Tenor/Bass	26	8	7	100%
Contrabass	19	6	7	50%
Soprano	2	0	1	3%

52. Da der Herr Christ zu Tische sass. BWV 285. Johann Sebastian Bach

SDG

0:41	Est. Play Time
13	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto	14	0	3	4	100%
Tenor/Bass	18	0	3	5	100%
View all 4 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto	14	3	4	100%
Tenor/Bass	18	3	5	100%
Contrabass	13	1	5	50%
Tenor	3	0	2	8%

3. Gefrorne Tränen. Winterreise Schubert (only piano; accompaniment)

SDG

2:14	Est. Play Time
56	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	24	46	7	3	97%
	28	12	11	4	100%
Voice, Vocal	17	0	5	5	73%

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	24	46	7	3	97%
	28	12	11	4	100%
Voice, Vocal	17	0	5	5	73%

48. Christus, der uns selig macht. BWV 283. J.S. bach.

SDG

0:49	Est. Play Time
17	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto	17	0	4	4	100%
Tenor/Bass	25	0	8	6	100%
View all 4 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto	17	4	4	100%
Tenor/Bass	25	8	6	100%
Contrabass	20	6	4	50%
Alto	2	0	1	6%

23. An Wasserflüssen Babylon. BWV 267. Johann Sebastian Bach.

SDG

1:11	Est. Play Time
19	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto	18	0	4	4	100%
Tenor/Bass	19	0	5	4	100%
View all 4 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto	18	4	4	100%
Tenor/Bass	19	5	4	100%
Contrabass	17	4	3	50%
Tenor	2	0	2	4%

41. Christ lag in Todesbanden. BWV 4.8.

SDG

1:01	Est. Play Time
14	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto	14	0	4	4	100%
Tenor/Bass	22	0	6	5	100%
View all 4 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto	14	4	4	100%
Tenor/Bass	22	6	5	100%
Contrabass	15	5	5	50%
Soprano	2	0	1	11%

20. Als der gütige Gott, BWV 264, Johann Sebastian Bach

SDG

0:30	Est. Play Time
11	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto	9	0	0	6	100%
Tenor/Bass	16	0	2	7	100%
View all 4 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto	9	0	6	100%
Tenor/Bass	16	2	7	100%
Contrabass	10	1	5	50%
Alto	3	0	4	18%

219. Komm, Gott Schöpfer, heiliger Geist.

SDG

0:35	Est. Play Time
22	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Horn in F	7	0	0	3	100%
Soprano/Alto	10	0	1	2	100%
View all 4 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Horn in F	7	0	3	100%
Soprano/Alto	10	1	2	100%
Tenor/Bass	13	2	2	100%
Contrabass	9	1	2	51%

184. Ich ruf' zu dir, Herr Jesu Christ. BWV 185.6.

SDG

1:04	Est. Play Time
15	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto	14	0	1	8	100%
Tenor/Bass	19	0	4	6	100%
View all 4 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto	14	1	8	100%
Tenor/Bass	19	4	6	100%
Violin	15	3	5	100%
Contrabass	15	3	4	50%

155. Herzlich lieb hab ich Dich, o Herr. BWV 149/7.

SDG

1:24	Est. Play Time
22	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto	16	0	3	6	100%
Tenor/Bass	20	0	7	6	100%
View all 4 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto	16	0	3	6	100%
Tenor/Bass	20	0	7	6	100%
Contrabass	16	0	5	5	50%
C Trumpet	7	5	0	3	10%

341. Was Gott thut, das ist wohlgethan. BWV 99.6.

SDG

0:49	Est. Play Time
12	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto	13	0	1	5	100%
Tenor/Bass	16	0	3	4	100%
View all 4 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto	13	1	5	100%
Tenor/Bass	16	3	4	100%
Contrabass	9	1	3	50%
Alto	1	0	1	6%

67. Dir, dir, Jehova, will ich singen. BWV 299.

SDG

1:12	Est. Play Time
18	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto	14	0	3	4	100%
Tenor/Bass	17	0	3	4	100%
View all 4 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto	14	3	4	100%
Tenor/Bass	17	3	4	100%
Contrabass	11	2	4	50%
Voice	1	0	1	7%

105. Freuet euch, ihr Christen alle. BWV 40 #8

SDG

0:59	Est. Play Time
20	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto	14	0	4	4	100%
Tenor/Bass	21	0	6	4	100%
View all 4 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto	14	4	4	100%
Tenor/Bass	21	6	4	100%
Contrabass	16	4	3	50%
Voice	3	0	1	10%

198. Jesu, meine Freude. Unter deinem Schirmen, bin ich vor den Stürmen aller Feinde frei. BWV 227#3.

SDG

1:08	Est. Play Time
13	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto	10	0	1	5	100%
Soprano/Alto	15	0	4	5	100%
View all 4 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto	10	0	1	5	100%
Soprano/Alto	15	0	4	5	100%
Tenor/Bass	21	1	6	4	100%
Contrabass	15	0	3	4	50%

220. Komm heiliger Geist, Herre Gott. BWV 59/3, BWV 175/7.

SDG

1:24	Est. Play Time
29	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto	15	0	4	6	100%
Tenor/Bass	19	0	5	6	100%
View all 5 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto	15	4	6	100%
Tenor/Bass	19	5	6	100%
Viola	14	2	5	100%
Violin	16	4	6	100%
Contrabass	14	3	5	50%